Andy Shauf live review

Andy Shauf @ Wintherthurer Musikfestwochen 2017

 

Last weekend I took the train to Winterthur about 90 minutes NE of Bern, to pay a visit to the city’s annual Musikfestwochen. The name “Musikfestwochen” sounds like an earnest classical affair, but don’t worry: this neat and predominantly free festival started in the seventies as an alternative music event and proudly celebrated its 42nd edition this year with 12 days of music and a nice selection of local and international acts. Thankfully the rainfall stopped in time and the sun came out again when I found myself in the historic center of Winterthur on Saturday to watch the Canadian singer-/songwriter Andy Shauf. He released the most impressive concept album last year based on a party, filled up with sophisticated string arrangements and mesmerizing melodies. Furthermore I was curious to hear, how this intimate, soul-feeding gentle pop works out on a Swiss festival stage.

Of course, you figured out by now that the Winterthurer Musikfestwochen is not a common festival. Apart from some notorious hipsters the audience is pretty mixed, more like a social event for all ages. And the whole setting is nice and comfortable, with many stalls to get your beer from the local “Chopfab” brewery or traditional Swiss food. All this works well for Andy Shauf. When he enters the stage, long haired and coupled with a trucker cap, he looks like the young J Mascic of Dinosaur Jr. But this first impression on Andy Shauf from Regina, Saskatchewan is leading to the wrong path: instead of furious feedbacks he prefers tone over volume and creates an emotionally resonant and captivating performance from the first minute to the end. His narrative style is accompanied by a full band which includes not only one, but two clarinet players and they capture the studio sound of the record surprisingly well: all the subtleties and melodic lines sound perfect and the audience pays decent attention, although most of them probably had never heard of Andy Shauf before and want to see the other acts of the following evening.

While the sun sets down, the Irish songwriter Glen Hansard puts on a solid one man show for the lovers of more roots inflicted singer-/songwriting tunes. Thereafter it’s time for another renowned artist from Canada: Feist is closing the night with a glamorous show, performing songs from her latest album Pleasure. I’m surprised how relaxed she keeps chopping her guitar and how she enjoys talking to the audience in-between songs. But when I head back home, it’s the empathetic sound world of Andy Shauf that keeps spinning in my head.

Anyhow, it looks like I’ll be getting on the train again in August 2018, when another round of music and celebration hits the lovely town center of Winterthur.

Balduin

I honestly couldn’t believe my ears when I discovered that this great artist called Balduin is hailing from Bern (Switzerland) – what a pleasant surprise! Fact is, I live in this city for almost 10 years now and I always had to struggle with the local scene, which seemed to be different and difficult for me on all terms. Eventually I made my peace, thinking there’s nothing to expect from this city music wise… But then I heard the songs from Balduin and his second album All In A Dream (2014) which left me relieved and excited at once.

The one-man-orchestra of Balduin shows a great sensibility for shimmering 60ties pop and psychedelia. And I can tell you: he gets better with every release! His third long player Bohemian Garden was just released and the first minutes are like a clear statement: Balduin wasn’t made for these times and his music wasn’t made for the small world of Switzerland.

Between sophisticated baroque pop arrangements, where vibraphone meets analog synth tunes, there’s a colourful cosmos to discover. Some of the tracks achieve a cinematic quality from the likes of Morricone or Theodorakis, taking you on a trip with compelling sounds and melodies. Listening to A Song For The Moon makes you think that Syd Barrett joined The Beatles for an unreleased hit single. All this sounds unique, although the aesthetic is very specific and some influence easy to pinpoint. Because Balduin makes sure, that his music takes a playful approach, that it’s resolving in some unexpected turns and vibes. The effect is simply highly enjoyable and worthwhile.

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